Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism July 21, 2014
Posted by OromianEconomist in Africa, African Beat, African Music, Culture, Ethiopia's Colonizing Structure and the Development Problems of People of Oromia, Afar, Ogaden, Sidama, Southern Ethiopia and the Omo Valley, Musicians and the Performance of Oromo Nationalism, Oromia, Oromian Voices, Oromiyaa, Oromo, Oromo Artists, Oromo Culture, Oromo First, Oromo Identity, Oromo Music, Oromummaa, Qubee Afaan Oromo, Self determination, State of Oromia.Tags: African Studies, Development and Change, Economic and Social Freedom, Kay Kaufman Shelemay, Music, Musicians and the Performance of Oromo Nationalism, National Self Determination, Oromia, Oromiyaa, Oromo, Oromo culture, Oromo music, Oromo people, Oromummaa
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Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism
By Harvard University Professor Kay Kaufman Shelemay
Oromo Studies Collection
Harvard University’s African Studies Workshop Featuring Kay Kaufman Shelemay: “Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism”
Title: Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism
Author: Kay Kaufman Shelemay (Professor of Music and of African and African American Studies at Harvard University)
Published: Seminar Presentation, African Studies Workshop at Harvard University
Language: English
Keywords: Ethnography, Ethnomusicology, Music, Oromo Nationalism
On March 3, 2014, Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and of African and African American Studies at Harvard University, presented, “Listening to Ethiopia’s South: Music, Musicians, and the Performance of Oromo Nationalism.” Ingrid Monson, Quincy Jones Professor of African American Music at Harvard University, was the discussant.
Original Source: African Studies at Harvard University
OromianEconomist 
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