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Koo yaa shunge mee chim chim goonaa, new Oromian Oromo music 2020 by Dangaa Qanani and Eskiyas Mezemir June 17, 2020

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Oromia: Keenya Finfinne Keenya, New Oromo Music March 23, 2019

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Oh Finfinnee! May Reason & Justice Prevail!

The iconic Oromo music star, singer, song writer and author of 5 books Daadhi Galaan murdered by unidentified gunman while on stage. February 15, 2019

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Wellisaa fi barreessaa beekamoo Daadhii Galaan nama eenyummaan isaa ammaf hin adda hin baaneen rasaasan ajjeeffame. Biyyoon isatti haa salphatu. Maati isaaf saba Oromoo maaraaf rabbi jajjabeenya haa kennu.

Wellisaa Daadhiin Oromiyaa, godina Shawaa Bahaa aanaa Liiban Cuqqaalaa ganda Jaarraa Gooroo bakka Buuyyamaa jedhamutti haadha isaa Likkee Damissee fi abbaa isaa Galaan Wadaajoo irraa bara 1977 dhalate.

Wellisaa Daadhii fi jaallan isaa Gurraandhala 11 bara 2019 godina Shawaa Bahaa aanaa Liiban Cuqqaalaa magaalaa Ashuffeetti ebba hoteelatiif sirbarra turan. Haala kana keessatti dhukaasa nama ammaf hin beekamne irraa banameen lubbuun artiist Daadhii Galaan darbeera.

Wellisaa Daadhin sirboota aadaa, jaalalaa, kan qabsoo fi sabboonummaa Oromoo jajjabeessan viidiyoo fi sagaleedhan weellisee maxxansiisuun gumaachaa guddaa godha ture.

Wellisaa fi barreessaa Dhaadhiin kitaabota 5 inni barreessee maxxansee gummaache matadureen isaanii:

Aangoo sanyiin dhaalan


Yaadannoo jaallanii

Liiban Liibiyaa taate

Boolla nugusa

Sirboota baaqqee fi albamootas gumaachuun guddina aartii Oromootif uf qussannaa malee hojjechaa ture.

Sirboota isaa hedduuf walaloo fi yeedaloo qopheessaa kan ture isuma mataa isaa ture.

Daadhin weellisaa, barreessaa, waloo fi yeedaloos qopheessaa ture.

Artiist Daadhiin seenaa qoratu malee hin barreessu, hin sirbu jedhu hiriyoonni dhiyeenyan isa beekan.

Oromia: Torbee Afran Qalloo, Anaa Dhufuu Artistoota Oromoo Afran Qalloo. #AfranQallooweek, 18-25 January 2019. Pioneers of Oromo resistance music January 18, 2019

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In 1962, when it was still illegal to sing in the Oromo language, one of the most widely spoken languages in all of Africa, a small group of activists risked persecution by forming the first-ever Oromo music band, in Dire Dawa, a bustling city in eastern Oromia, Ethiopia.

Afran Qallo, whose historical name derives from the collective reference to four of Qallo’s sons – Alaa, Babile, Daga and Oborra – soon struck the chord with locals when the troupe began performing cultural songs at weddings and holidays, often hidden from the watchful eyes of government officials.

At the time, in the city of Dire Dawa, the Somalis, Amharas and Hararis had their own music bands – but the Oromo did not. “Whenever there was a need for wedding celebration, Oromo families had to either pay for the Somali or Harari musical bands because generally, in those days, the Amhara bands did not deal well with the Oromo and did not have any respect for our people,” said Dr. Mohamed Hassan, a professor of history at Georgia State University. “It was the absence of any cultural space for the Oromo which inspired Oromo individuals to form an organization and create a musical space for themselves.”

Initially, four musical bands emerged almost simultaneously in different neighborhoods of Dire Dawa, namely: Mascob Tokkumma Jaalala, Hiriyaa Jaalala, Biftu Ganama and Urji Bakkalcha, which was later renamed Afran Qallo, according to Ismail Mummad Adam, one of the founding members of Urji Bakkalcha.

What happened next, no one — not even the founders — expected. “For the first time, there was this general feeling that Oromo music was as good as anyone’s music,” said Dr. Hassan. “It created a tide of anger against the Ethiopian government because the Oromo realized they were denied the opportunity to enjoy their own music.”  

The 1960s was a tumultuous decade in Ethiopia. The Ethiopian students’ call for land reform, mainly coming from then Haile Silassie I University, was reverberating, and the dispossessed peasantry – who were condemned to a life of serfdom by absentee feudal landlords – were beginning to take notice of their plight, which was dismal. The Oromo, Ethiopia’s largest ethnic group, was getting organized in various forms in different parts of the country.

In the center of the country, formed in 1963, the Macha Tulama self-help association, whose main aim at the time was educational empowerment and infrastructural development, was gathering momentum. In the southeast, the Bale people’s revolt, under the chairmanship of General Waqo Gutu, was threatening to take back a vast swath of land from the regional nobility that was taking away their pristine land in the name of the crown and levying heavy taxes on the peasantry.

Individuals like Shaykh Bakri Sapalo, a prominent scholar who invented an Oromo language writing system, were creating a stir by writing poems aimed at awakening the Oromo. “By producing powerful poems, that demonstrated the richness and beauty of the Oromo language, he set in motion a generation of famous poets and singers,” Dr. Hassan wrote in the Journal of Oromo Studies. “Shaykh Bakrii’s ideas, his poems, his teaching and cultural nationalism dominated the thinking of Oromo elite in Hararghe, especially in urban areas such as Dire Dawa.”

As such, the formation of Afran Qallo in Eastern Oromia was a watershed moment — a welcome addition to the Oromo movement. Soon, leaders of Afran Qallo musical band established links with the Macha Tulama association and other Oromos to unify its opposition against Haile Silassie’s imperial rule.

There was also the Oromo radio program broadcast into Ethiopia from Mogadishu, Somalia’s capital, by famed Oromo journalist Ayub Abubakar. “The radio program was so effective in mobilizing public opinion against Emperor Haile Selassie, that the regime sent a secret agent to Mogadishu and murdered Ayub Abubakar in 1966,” Hassan said. Abubakar, who himself was one of the founding members of Afran Qallo, was one of Shaykh Barkri’s protege.

In its heyday, the Afran Qallo cultural group did not limit itself to singing and music production. “We started doing theatre, making a mockery of the government’s mistreatment of the Oromo,” said Mr. Adam, 72, who has written a forthcoming book about the history of the group. When officials threatened to shut them down, Oromo elders asked the band “to sing songs of praise for the king,” according to Mr. Adam. They buckled under pressure and produced a song called, “Mooti biyya teenya yaa Haile Silassie, si garaan Xaliyaanin dheefa dhuke kaase” – loosely translated, oh! Haile Silassie, the king of our country, Italians ran for their life when they saw you coming. The song is an inference to the emperor’s return from his brief exile, after Italy invaded Ethiopia, and the Italians defeat in 1941.

But as the group gained unprecedented momentum among the Oromo, pressure from regional bureaucrats continued, Mr. Adam recalled. Members of the band, including Mr. Adam, were even detained and interrogated to name civilian leaders of the band who were supplying them with modern musical instruments.

Amid continued harassment from local lords, who accused the group of narrow nationalism and separatism, and a subsequent injunction against its members, the Afran Qallo band eventually fell apart around 1965, according to Mr. Adam. But by then, he says, some of its star artists had found a voice, and more importantly, a calling to contribute to the Oromo peoples struggle for freedom.

“Before the government started harassing them, the band traveled to places like Haromaya, Awaday, Dadar, Qobo, Hirna, Ciro, and several places in Hararghe providing the necessary cultural service that the community needed at weddings, cultural events, holidays and so on,” said Dr. Hassan.

Unable to continue working in the country, some including Abubaker Musa and Yonis Abdullahi left for Somalia where they continued writing and producing songs. “Ali Birra, Ali Shabbo, Usmail Mummad, Mohammed Yusuf, Salah Mohamud, Shantam Shubisa and others kept marching forward…using their penetrating melody and captivating lyrics to reunify the disjointed Oromo regions to rise up in unison against national subjugation,” the jubilee organizing committee said in a statement on Jun. 22.

The birth of the Afran Qallo cultural troupe is also said to have inspired other Oromo performers in different parts of the Oromo country. Zarihun Wadajo, one of the earliest Oromo vocalists, who was born in Western Oromia, sang his timeless song, “Koottaa Aramaa Aramnaa,” at the age of fifteen in 1977, according to Shawn Mollenhauer, who recently completed his PhD thesis at the University of California-Riverside on Oromo music. “Zarihun was immediately placed in prison for eight months for his song,” wrote Mollenhauer. Click here to read more from the Opride, the original source of this article.

Oromia: New Oromo music (Culture), Dursitewoo, Mootewoo, by Fayo Mootii December 6, 2018

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Oromiyaa, Official Music,Isqiyaas Mazammir November 10, 2018

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Oromia: Artistii beekamaa fi hangafaa Oromoo Laggasaa Abdii Dadhii yeroo dheeraaf dhukkubsachaa turuun umurii waggaa 80tti addunyaa kanarraa boqatan October 22, 2018

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Oromia Legendary Artist Legesse Abdi.png

Artistii beekamaa fi hangafaa Oromoo Laggasaa Abdii  Daadhii yeroo dheeraaf dhukkubsachaa turuun Onkoloolessa 21 bara 2018 umurii waggaa 80tti addunyaa kanarraa  boqatan. Biyyoon isaanitti haa salphatu.

Sirni awwaalchaa artistii hangafaa Oromoo artist Laggasaa Abdii Finfinnee Bataskaana Kaatediraaliitti raawwateera. BBc Afaan Oromoo

Artistii beekamaa fi hangafaa Oromoo Laggasaa Abdii yeroo dheeraaf dhukkubsachaa turuun kaleessa ture umurii waggaa 80’n addunyaa kanarraa kan boqatan.

Laggasaa Abdii aartii Oromoo fi Itoophiyaa keessatti maasinqoo taphachuudhaan nama bakka olaanaa qabu dha.

Bara 1931 Shawaa Kaabaa aanaa Abbichuu Yaayyaa Qacamaatti kan dhalate artisti Laggasaa Abdii, abbaa isaa Obbo Abdii Daadhii fi harmee isaa aadde Foollee Guddataaf ilma tokkicha ture.

Artist Laggasaan jaalala tapha masiinqoon kan booji’me yeroo artistii beekamaa biraa Wasinuu Didoo jedhamu masiinqoon weellisu arguun akka tahe kanaan dura ibsaa tureera.

Artisti Wasanuu Didoo, hiriyyaa abbaa isaa Obbo Abdii yoo tahan, isuma irraa masiinqoo taphachuu barachuun yeroo umuriin isaa gara waggaa 20 tahu gara magaalaa Finfinnee dhaquun mana tiyaatiraa Haager Fiqiritti sirbuu eegale.

Laggasaa Abdii Tiyaatiraa Hagar fiqir, Tiyaatira Biyyaalessaa, Tiyaatiraa fi Aadaa Magaalaa Finfinnee, Orkeestiraa Poolisii, Kiburzabanyaa fi kanneen biroo keessatti yeroo dheeraaf hojjeteera.

Artisti Laggasaa Abdii sirboota isaan nama onnee namatti horu jedhamuun beekama.

”Maasaan gamaa lafa hin baatuu, talbaa facaafata taati

Tokko du’ee tokko hin nyaatu wal gaggalaafata taati” jechuun kan masiinqoon weellisaa ture hanga ammaattiyyuu fudhatama guddaa qaba.

Namoota sirna awwaalchaa artist Laggasaa Abdii irratti argaman
Goodayyaa suuraaNamoota sirna awwaalchaa artist Laggasaa Abdii irratti argaman

Weellisaan kun dandeettii meeshaalee muuziqaa garaagaraa illee barachuun guddina aartii Oromoo keessatti nama shoora olaanaa bahatedha.

Artis Laggasaa Abdii bara 1952 aadde Ijjigee Ababaa waliin bultoo dhaabuun ijoollee dhiiraa afurii fi dubara sadii godhataniiru.

Dabalataan bara 1970 keessa hiriyootaa isaa fi artistoota kanneen akka Dammisee Dastaa, Lammaa Gabrehiwoot, Ayyaalee Yimaanuu waliin tahuun dhuunfaadhaan ‘garee muuziqaa Aadaa biyyaa’ jedhamu tokko hundeessuun guddina aartii keessatti gumaacha olaanaa gochaa turaniiru.

Yeroo garaagaraatti biyyoota akka Keeniyaa, Sudaan fi Kooriyaa Kibbaa deemuun aadaa fi sirboota Oromoo agarsiisuunis dinqisiifannaa guddaa argataniru.

Walumaa galatti artist Laggasaa Abdii dhiibbaa ulfaataa bara Afaan Oromoodhaan dubbachuun qaanii turee fi maqaan namootaa illee Afaan Oromoo irraa jijjirama ture keessa darbuun waggoota 60 oliif guddina aartii Oromoof gumaacha olaanaa taphateera. BBc Afaan Oromoo

Oromia: Dhugaan Maseenaaree!! Keekiyyaa Badhaadhaa, New Oromo Music 2018 September 8, 2018

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Jirra, Jirtuu?: Hacaaluu Hundeessaa Geerarsa galma barkumeetti. ተወዳጁ ሀጫሉ ሁንዴሳ በድጋሚ ቀውጢ አደረገው The one & only Hacaaluu Hundessaa at Millennium Hall, Finfinnee July 17, 2018

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Geerarsa Haacaaluu

Jirtuu?, Hin Dhagaahamu, hin dhagaahamu jechaa jiru warri
Jirtuu?, Jirtuu?…
Ijoolleen Goojjam Jirtuu?
Goojjam Matakkal Jirtuu?
Ijoolleen Raayyaa Jirtuu?
Raayyaa Raayituu Jirtuu?
Ijoolleen Walloo Jirtuu?
Walloo Kamisee Jirtuu?
Ijoolleen Wallaggaa Jirtuu?
Ijoolleen Arsii Jirtuu?
Ijoolleen Booranaa Jirtuu?
Ijoolleen Tuulamaa Jirtuu?
Ani Maalan godheree
Maalan gochuu dideree
Manni Keenya holqaare(×)
Tabba Gubbaadha malee(×2)
Oromoon Biyya Diigaaree
Biyya Ijaara Malee(×2)
Ya Ijoollee Biyya kootii(×2)
Hundumtuun Haadhoo Kooti(×2)
Hangariin Garaa siree
Nooraan garaa dhidheessaa
An Yooman garaa hiree
An Haacaaluu Hundeessaa
Nan Joore Nan Joorekaa
Foon maddii na qoorekaa
Ya ijoollee biyya kootii(×2)
Hundumtun haadhoo kooti(×2)
Qamalee koo Qamalittii(×2)
Yaa Ishee goongoorra utaaltu
Arbi ciinjiijjiitti dhale
Akkamiin rafnee bulla
Fuulduraan otoo eegnuu
Diinni boroodhaan gale
Akkamiin Rafnee Bulla
Nuti Jaalala jenna
Diinni Ammas nuun ciisne
Kunoo mi’eessoon galee
Rasaasaan nu waxalee
Akkamiin rafnee bulla
Diinni silaa nuun ciisne
Kunoo cinaaksan gale
Rasaasaan nu waxalee
Nurraa Dhowwi ya Lammaa
Nurraa Dhowwi ya Abiyyii
Nurraa Dhowwaa yaa biyyaa
Yookaan qeerroottan iyyaa…
Gaarri shiraan tuulame
Biiftuu Baatu Dhoksaaree
Kan Du’e Seenaatti Hafe
Kan lufe silaa lufe
Kan dhufes dhiigaan dhufe
Dhiigni qeerroo inni jige
Itiyoophiyaa jigde kaasekaa
Dhiigni qeerroo inni jige
Itiyoo_eertiraa walitti araarsekaa
Nan sobee…Nan Sobee…Nan Sobee
Nan Sobee Ijoollee Oromoo
Nan Sobee Ijoollee Biyyakoo
Galma Dhugaa Ijaaruuf
Galma Sobaa Raasekaa
Galma Dhugaas Lafeedhaan
Ni Ijaarranna Boru
Galma Dhugaas Jaalalaan
Ni Ijaarranna Boruu
Otuma Moortuun Moortuu
Ni Hora Abbaan Horuu
Otoo Addageen Moortuu
Ni Hora Abbaan Horuu
Ni Hora Abbaan Horu
Ni Hora Abbaan Horuuu.

Dumesaaye caamaaree? Caamus hongee taharee?
Namni ibidda beeku daara argee nahaaree?
Bakka ajaan bay’atu bakka tortooraf raqaa
Allaattif saree malee kan biraa maltuu dhaqa?
Daandii dheera na hafe kan fuldura koo ta’uu
Booddetti garagalee bookef tafkii hin lakkawu
Lubbuu biliqa baatuf maafan gola nanna’aa
Saba koof falmee du’een #Taaddasa_birru ta’aa
Saba koof falmee du’een #Waaqoo_Guutuu koo ta’aa
Biyya koof falmee du’een #Oliqaa_Dingil ta’aa
Saba koof falmee du’een #Balay_Zalaqaa_Qilxuu ta’aa
Biyya koof falmee du’een #Abdisaa_Aagaa ta’aa
Saba koof falmee du’een #Bakar_Waare koo ta’aa
Saba koof falmee du’een #Lagasaa_Wagii ta’aa.

Harreen diidoo itti duulteef haroo dhugaa gogsaare
Gaarri shiraan tuulame biiftuu baatu dhoksaare
Kan du’ee seenatti hafe
kan lufe sila lufe
kan dhufes dhiigan dhufee.

Dhiigni qeerroo inni jige itiyoophiyaa jigde kaase kaa
Dhiigni qeerroo inni jige itiyoo-ertiraa walitti araarsee kaa!

Nansobee? Nansobe?
Nansobee ijoollee oromoo?
Nansobee ijoollee biyyaa koo?

“We are here”: The soundtrack to the Oromo revolution gripping Ethiopia. – African arguments March 30, 2018

Posted by OromianEconomist in Muscians and the Performance Of Oromo Nationalism, Uncategorized.
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Far from being a footnote in the Oromo struggle, musicians like Haacaaluu Hundeessa have been its centre of gravity.

Haacaaluu Hundeessa's music has given sound and voice to the Oromo struggle.

With the appointment of Abiy Ahmed as chair of the ruling coalition, Ethiopia is set to have an Oromo leader for the first time in recent history. This is in no small part thanks to brave and sustained protests by ethnic Oromo youth.

For nearly two and a half years, activists have defied brutal government suppression that has seen over a thousand people killed and tens of thousands arrested. Mostly led by the Oromo and Amhara, who together make up two-thirds of the 100 million population, demonstrators have endured the imposition of two states of emergency and a brutal crackdown.

Now, for their pains, they have overseen the resignation of Prime Minister Hailemariam Desalegn. And they will soon witness the assent of a young and popular Oromo leader as Ethiopia’s next prime minister.

When historians look back at this period, they will see how persistent protesters reconfigured Ethiopia’s political map in just a couple of years. They will note how Oromo politics was forced from the distant periphery to the very centre of affairs. And they will observe how the passionate Oromo youth – known as the Qeerroo – drove this change.

In all this, however, one thing that should not be overlooked is the critical role played by Oromo musicians and artists. Through their work, they have mobilised scattered marginalised publics and helped create a politically conscious, defiant, and resilient generation. They have tapped into the transformative potential of subjugated memories and experiences, disrupted official histories, and altered the people’s very relationship to power.

Oromo music, the struggle’s centre of gravity

Oromo music and concerts have rarely been strictly musical. They have always been sites of political agitation, cultural self-affirmation, and spiritual rejuvenation, drawing together audiences who share an unassailable commitment to the Oromo cause.

Activist stalwarts have provided the conceptual architecture and strategic direction of the struggle. But Oromo artists’ poignant and powerful lyrics have given voice and significance to the group’s insufferable indignation. When their political leaders have failed, artists have given new meaning to the agonies of defeat. When they have prevailed, artists have amplified small victories to inspire whole generations.

Far from being a footnote in the history of the Oromo struggle for freedom and justice, musicians, poets and creators are its centre of gravity – the signature tune and the definitive sound of the Oromo revolution.

“We are here”

Amongst the many Oromo artists to have played a role in recent events, one musician and one performance stands out.

On 10 December 2017, the capital Addis Ababa staged the biggest Oromo concert it had ever seen. It was held to raise humanitarian funds for the over 700,000 Oromos displaced by violence in the east. But the event held a much deeper significance too. It was not only the most symbolic, defiant and spectacular Oromo concert ever broadcast live by Oromia Broadcasting Network (OBN). It also featured an unprecedentedly large number of senior government officials, a sign of the slow but tectonic shift taking root in Ethiopian politics.

In the concert, a diverse cast of artists performed, leading up to the kaleidoscopic set by Haacaaluu Hundeessa. Through 11 minutes of heart-shredding ballads, the young singer delivered a show that was awe-inspiring and painful, honest and complex, impassioned and subtle. Working through themes of marginality, vulnerability and resilience, he articulated the distinct Oromo experience with raw clarity.

Haacaaluu has given sound and voice to the Oromo cause for the past few years. His 2015 track Maalan Jira(“What existence is mine”), for example, was a kind of an ethnographic take on the Oromo’s uncertain and anomalous place within the Ethiopian state. This powerful expression of the group’s precarious existence quietly, yet profoundly, animated a nationwide movement that erupted months later. Maalan Jira became the soundtrack to the revolution.

In October 2017, Haacaaluu released Jirraa (“We are here”). In contrast to his previous more sombre hit, this song was a statement of endurance, resilience, and self-affirmation. It celebrated transformations within the Oromo community and fundamental shifts in Ethiopia’s political landscape. It embodied a newfound collective optimism, a feeling that Oromo culture is no longer in jeopardy, and a sense that the Oromo society is finally in the middle of a robust ascendancy.

“Closer to Arat Kilo”

As many have pointed out, art can have a transformative power that a political debate or summit cannot. In her book Utopia in Performance, for example, American scholar Jill Dolan describes how a performance can have an effect “that lifts everyone slightly above the present, into a hopeful feeling of what the world might be like if every moment of our lives were as emotionally voluminous, generous, [and] aesthetically striking”.

Haacaaluu’s December show did just this. As soon as he occupied the stage, the scene immediately felt magical. His opening greetings – “ashamaa, ashamaa, ashamaa” – electrified an audience who understood his use of the traditional Gerarsa repertoire and its unconscious grammar. As he strode lion-like around the platform, he evoked a rare outpouring of exuberance in his adoring audience. And speaking at a moment in which the Oromo protests had been building momentum for over two years – and, unbeknownst to the crowd, just months before one of their own would become chair of Ethiopia’s ruling coalition – Haacaaluu repeatedly asked the audience Jirtuu (“are we here?”), driving everyone justifiably nuts.

In under a minute, the singer had created what Dolan calls moments of communitas, “resulting in a sudden and deeper insight into the shared process of being in the world.”

As the performance progressed, Haacaaluu escalated tensions, asking the audience how long they would have to wait for freedom. He lamented the absurdity of a marginalised majority, criticised a rigged system, and expressed his yearning for unity, peace, and justice.

In switching between articulations of precarity and resilience, Haacaaluu challenged the audience and the Oromo leadership in the gallery, which included Abiy Ahmed, to make bold moves befitting of the Oromo public and its political posture. He urged his audience to look in the mirror, to focus on themselves, and decolonise their minds. We are, he said, closer to Arat Kilo, Ethiopia’s equivalent of Westminster, both by virtue of geography and demography.

The Oromo People’s Democratic Organisation, the party in the ruling coalition that put Abiy forward, thankfully followed Haacaaluu’s advice. After PM Desalegn announced his resignation, it fought tooth and nail to secure the position of the Prime Minister. After Abiy’s imminent confirmation, the first chapter of a journey for which Haacaaluu has provided the soundtrack will be complete.

The 41-year-old Abiy will be taking over at a highly fractious and uncertain time. He will continue to face immense resistance from the deep state and the security forces that stand to lose from democratic opening. In confronting these challenges, he should remember the deeper meaning and significance of Haacaluu’s lyrics and monumental performance.

*Awol Allo is a lecturer in law at Keele University School of Law. He tweets at @awolallo.


[Wax & Gold: The tightrope challenges facing Ethiopia’s Abiy Ahmed]

Qeerroo: Hawwii Tazarraa New Oromo Music 2018 January 6, 2018

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Jirra Jirraa: Oromia music video premiere 2017 by Oromo music star, Hacaaluu Hundeessaa October 22, 2017

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Oromia: Saliha Sami: Ni Baafna Gumaa (New Oromo Music) October 4, 2017

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Odaa OromoooromianeconomistThe awarding wining muscian, Oromo record artist Saliha Sami


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Oromia: “Finfinnee Karri Shani” Galaanee Bulbulaa. New Oromo Music June 19, 2017

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Finfinnee: Karaa Aloo, Karaa Qallittii, Karaa Gafarsaa, Karaa, Qoree, Karaa Qirxii 





Saliha Sami: New Oromo Music: Jennaan Jenne Malee Diinni Fira Hintahu May 13, 2017

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Hanisha Solomon: New Oromo Music: Geerarsa May 6, 2017

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Photos from Saliha Sami’s upcoming Oromo music video: Diinni fira hintahu May 1, 2017

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The award-winning musician and Oromo recording artist Saliha Sami is working on a new music video;  titled ‘diinni fira hintahu’. The following photos are released from the set of the video production on her Facebook page. Click here for more at Finfinne Tribune | Gadaa.com.

Oromo Students represent Oromia at York University’s Cultural Showcase April 19, 2017

Posted by OromianEconomist in Oromia, Oromo, Oromo Art, Oromo Culture, Oromo Identity.
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Oromia and the Oromo people




Oromia: OMN: Qophii Jiruuf jireenyaa Artist Dirribee Gadaa Bit 28, 2017. OMN: Interview with one of the most creative minds in Oromo music and art, artist singer Dirribee Gadaa March 29, 2017

Posted by OromianEconomist in Muscians and the Performance Of Oromo Nationalism, Music.
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OMN: Artisti Dirribee Gadaa (Bit 28, 2017)





Oromia: Knoweldge and Society: Mammaaksa Oromoo March 4, 2017

Posted by OromianEconomist in 10 best Youtube videos, 25 killer Websites that make you cleverer, Afaan Oromoo, African Literature, Black History, Chiekh Anta Diop, Culture, Cushtic, Indigenous People, Kemetic Ancient African Culture, Khemetic Africa's culture, Oromia, Oromiyaa, Oromo, Oromo Art, Oromo Literature, Oromo Wisdom, Uncategorized.
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True Knowledge is wisdom.  The Oromo value wisdom to the highest degree: ‘Rather than to be kissed  by foolish man, I prefer to slapped by  a wise man.’ How is true knowledge acquired?  The Oromo proverbs  answers: By inference, by study, through suffering, by moulding another person, by heart. ‘  One who does not  understand  an inference  will never  understand  the thing as it is.. …  But the great school of knowledge is  experience, long life and old age. … The Oromo proverb  offers  no definition of  knowledge; they are not interested so much in nature of knowledge  as the type of knowledge  they propose  as  a model for  man-in-society, and  it is clearly  a knowledge  obtained through  experience through proximity  to the object, as ‘the calf  is known by the enclosure to have become a bull.’ See  Claud Summer, Ph.D., Dr.h.c (1995), Oromo Wisdom Literature,  Volume I , Proverbs Collection and Analysis.

Makmaaksa Oromoo (Oromo proverbs):

Abba hin qabdu akaakyuuf boochi
Abbaa iyyu malee ollaan namaa hin birmatu
Abbaan damma nyaateef ilma hafaan hin mi’aawu
Abbaatu of mara jedhe bofti hantuuta liqimsee
Abjuun bara beelaa buddeena abjoota
Addaggeen hamma lafa irra ejjettu nama irra ejjetti
Afaan dubbii bare bulluqa alanfata
Afaan gaariin afaa gaarii caala
Afaanii bahee gooftaa namaa ta’a
Akka madaa qubaa, yaadni garaa guba
Akka abalun sirbaan boquu nama jallisa
Akkuma cabannitti okkolu
Akukkuun yeroo argate dhakaa cabsa
Alanfadhuuti gara fira keetti garagalii liqimsi
ama of komatu namni hin komatu
Amartiin namaa hin taane quba namaa hin uriin
Ana haa nyaatuun beela hin baasu
Ani hin hanbifne, ati hin qalbifne
arrabni lafee hin qabdu lafee nama cabsiti
Asiin dhihoon karaa nama busha
“Aseennaa natu dide, kennaa warratu dide otoo nabutanii maal ta’a laata”,jette intalli haftuun
Badduun fira ishee yoo hamattee, baddubaatuun niiti ishee hamatti
Bakkka oolan irra bakka bulan wayya
Bakka kufte osoo hin taane, bakka mucucaatte bari
Balaliitee balaliite allaattiin lafa hin hanqattu

Bara bofti nama nyaate lootuun nama kajeelti!!
Bara dhibee bishaan muka namatti yaaba
Bara fuggisoo harreen gara mana, sareen gara margaa
Barri gangalata fardaati
Beekaan namaa afaan cufata malee hulaa hin cufatu
Biddeena nama quubsu eelee irratti beeku
Billaachi otoo ofii hin uffatiin dhakaatti uffisti
Bishaan gu’a gahe nama hin nyaatiin, namni du’a gahe si hin abaariin
Bishaan maaltu goosa jennaan waan achi keessa jiru gaafadhu jedhe
Bishingaan otoo gubattuu kofalti
Boru hin beekneen qad-bukoon ishee lama
Boftii fi raachi hanga ganni darbutti wal faana jiraattu
Bulbuluma bulbuli hangan dhugu anuu beeka
Buna lubbuuf xaaxa’u warri naa tolii kadhatu
Cabsituun tulluu amaaraatiin giraancee jetti
Citaan tokko luqqaasaniif manni hin dhimmisu
Dabeessa uleen (jirmi) shani
Daddaftee na dhungateef dhirsa naa hin taatu jette sanyoon
Dawaa ofii beekan namaa kudhaamu
Deegan malee waqayyo hin beekani
dhalli namaa otoo nyaattu diida laalti
Dhirsi hamaan maaf hin nyaatiin jedha niitii dhaan
Dhirsaa fi niitiin muka tokko irraa muramu
Dugda hin dhungatan, hunda hin dubbatani
Durbaa fi jiboota garaa gogaa lenjisu
Iyyuuf bakkeen naguma, dhiisuuf laphee na guba
Dhuufuun waliin mari’atanii dhuufan hin ajooftu
Diimina haaduun nyaatani,diimaa arrabaan nyaatu
Dinnichi bakka gobbitetti hordaa cabsiti
Doqnaa fi garbuu sukkuumanii nyaatu
Du’aan dhuufaa jennaan kan bokoke dhiisaa jedhe
Dubbii baha hin dhorkani galma malee
Dubbii jaarsaa ganama didanii galgala itti deebi’ani
Duulli biyya wajjinii godaansa
Eeboo darbatanii jinfuu hin qabatani
Edda waraabessi darbee sareen dutti
Fagaatan malee mi’aa biyyaa hin beekani
Farda kophaa fiiguu fi nama kophaa himatu hin amaniin
Firri gara firaa jennaan kal’een gara loonii jette
Foon lafa jira allaatti samii irraa wal lolti
foon lakkayi jennaan rajijjin tokko jedhe
fokkisaan nama qabata malee nama hin kadhatu
Fuula na tolchi beekumsi ollaa irraa argamaa jette intalli
Gaangeen abbaan kee eenyu jennaan eessumni koo farda jette
Gaangoonn haada kutte jennaan oftti jabeessite jedhani
Gabaan fira dhaba malee nama dhabinsa hin iyyitu
Galaanni bakka bulu hin beekne dhakaa gangalchee deema
Gaalli yoom bade jennaan, gaafa morma dheeratu bade

Gama sanaa garbuun biile (asheete) jennan warra sodaanne malee yoom argaa dhabne jedhe  jaldeessi
Gamna gowomsuun jibba dabalachuu dha
Ganaman bahani waaqa jalaahin bahani
Gara barii ni dukkanaa’a
Garaa dhiibuu irra miila dhiibuu wayya
Garbittii lubbuuf walii gadi kaattu, warri qophinaafi se’u
Jaalalli allaatti gara raqaatti nama geessa
Gaashatti dhuufuun daalattii dha
Gogaa duugduun yoo dadhabdu saree arisaa kaati
Gola waaqayyoo itti nama hidhe lookoo malee ijaajju
Goomattuuf goommanni hin margu
Goondaan walqabattee laga ceeti
Gowwaa wajjin hin haasa’iin bakka maleetti sitti odeessa, karaa jaldeesaa hin hordofiin halayyaa nama geessa
Gowwaan ballessaa isaa irraa barat, gamni balleessaa gowwaa irraa barata
Gowwaan bishaan keessa ijaajjee dheebota
Gowwaan gaafa deege nagada
Gubattee hin agarre ibiddatti gamti
Guulaa hin bitiin jiilaa biti
Gowwaa kofalchiisanii, ilkee lakawu
Gowwaa fi bishaan gara itti jallisan deemu
Haadha gabaabduu ijoolleen hiriyaa seeti
haadha laalii intala fuudhi
Haadha yoo garaa beekan ilmoo jalaa qabani
Halagaa ilkaan adii, halangaan isaa sadi
Hanqaaquu keessa huuba barbaada
Haati ballaa (suuloo) ya bakkalcha koo jetti
Haa hafuun biyya abbaa ofiitti nama hanbisa
Haati hattuun intala hin amantu
Haati hattuun intala hin amantu
Haati kee bareeddi jennaan, karaa kana dhufti eegi jedhe
Habbuuqqaa guddinaaf hin quufani
Hagu dhiba jette sareen foksoo nyaatte
Hagu dhiba jette sareen foksoo nyaattee
Halagaa gaafa kolfaa fira gaafa golfaa

Hantuunni hadha ishee jalatti gumbii uruu bartii

Harka namaatiin ibidda qabaa hin sodaatani
Harki dabaruu wal dhiqxi
Harkaan Gudunfanii, Ilkaaniin Hiikkaa Dhaqu
Harree ganama badee, galgala kur-kuriin hin argitu
Harree hin qabnu, waraabessa wajjin wal hin lollu
Kan harree hin qabne farda tuffata
Harreen nyaattu na nyaadhu malee bishaan ol hin yaa’u jette waraabessaan
Harreen yoo alaaktu malee yoo dhuuftu hin beektu
Hidda malee xannachi hin dhiigu
Hidda mukaa lolaan baaseetu, hidda dubbii farshoo (jimaa)n baase
Hidhaa yoo tolcha, gadi garagalchanii baatu

hin guddattuu jennaan baratu dhumee jedhe
Hiriyaa malee dhaqanii gaggeessaa malee galu
hiyyeessaf hin qalani kan qalame nyaata
Hoodhu jennaan diddeetu lafa keenyaan hatte
Hoolaan abbaa abdatte, diboo duuba bulchiti
Hoolaan gaafa morma kutan samii(waaqa) arkiti
Ija laafettiin durbaa obboleessaf dhalti
Ijoollee bara quufaa munneen ibidda afuufa
Ijoollee hamtuun yoo nyaataaf waaman ergaaf na waamu jettee diddi
Ijoolleen abaa ishee dabeessa hin seetu
Ijoolleen quufne hin jett, garaatu na dhukube jetti malee
Ijoolleen quufne hin jettu beerri fayyaa bulle hin jettu
Ijoolleen niitii fuute gaafa quuftu galchiti
Ijoollee qananii fi farshoo qomocoraa warratu leellisa
Ijoollee soressaa dhungachuun gabbarsuu fakkaatti
Ilkaan waraabessaa lafee irratti sodaatu
Ilmi akkoon guddiftu dudda duubaan laga ce’a
Intalli bareedduun koomee milaatiin beekamti
Intallii haati jajju hin heerumtu
Itti hirkisaan kabaa hin ta’u
Ittiin bulinnaa sareen udaan namaa nyaatti
Jaamaan boru ijji keen ni banamti jennaan, edana akkamitin arka jedhe
Jaarsi dhukuba qofaa hin aaduu, waan achisutu garaa jira
Jaarsii fi qalqalloon guutuu malee hin dhaabatu
Jabbiin hootu hin mar’attu
Jaalalli jaldeessa yeroo fixeensaa garaa jalatti, yeroo bokkaa dugda irratti nama baatti
Jaalala keessa adurreen ilmoo nyaatti
Jaalalli allaatti gara raqaatti nama geessa
Jarjaraan re’ee hin horu
Jarjaraan waraabessaa gaafa ciniina
Jibicha korma ta’u elmaa irratti beeku
Jiraa ajjeesuun jalaa callisuu dha
Kadhatanii galanii weddisaa hin daakani
Kan abbaan gaafa cabse halagaan gatii cabsa

Kan abbaan quba kaa’e oromi(namni, halagaan) dhumdhuma kaa’a
Kan afaanii bahee fi kan muccaa bahehin deebi’u
Kan bishaaan nyaate hoomacha qabata
Kan citaa qabaa tokko namaa hin kennine mana bal’isii gorsiti
Kan dandeessu dhaan jennaan gowwaan galee nitii dhaane Adaamiin ollaa hagamsaa jiru bara baraan boo’aa jiraata
Kan gabaa dhagahe gowwaan galee niitii dhokse
Kan hanna bare dooluutu sosso’a
Kan hordaa natti fiiges, kan haaduun natti kaates bagan arge jette saani du’uuf edda fayyitee booda
Kan humnaan lafaa hin kaane yaadaan Sudaanitti nagada
Kan ilkaan dhalchu kormi hin dhalchu
Kan namni nama arabsi irr, kan abbaan of arabsutu caala

kan qabuuf dabali jennaan harreen laga geesse fincoofte
Kan of jaju hin dogoggoru
Kan quufe ni utaala, kan utaale ni caba
Kan tolu fidi jennaan, sidaama biyya fide
Kan tuffatantu nama caala, kan jibbanitu nama dhaala
Kan tuta wajjin hin nyaanne hantuuta wajjin nyaatti
Kan waaqni namaa kaa’e cululleen hin fudhattu
Karaa foolii nun hin jedhani jette wacwacoon
Karaan baheef maqaan bahe hin deebi’u
Karaan sobaan darban, deebi’iitti nama dhiba
Karaa dheeraa milatu gabaabsa, dubbii dheeraa jaarsatu gabaabsa
Karaa fi halagaatu gargar nama baasa
Keessummaan waan dhubbattu dhabde mucaa kee harma guusi jetti
Keessummaan lolaa dha abbaatu dabarfata
Keessa marqaa boojjitootu beeka
Kijiba baranaa manna dhugaa bara egeree wayya
Kokkolfaa haati goota hin seetu
Kormi biyya isaatti bookkisu biyya namaatti ni mar’ata
Kursii irra taa’anii muka hin hamatani
Lafa rukuchuun yartuu ofiin qixxeessuu dha
Lafa sooriin du’e baataatu garmaama
Lafaa fuudhuutti ukaa nama bu’a

Lafti abdatan sanyii nyaatee namni abdatan lammii nyaate
Laga marqaa jennaan ijoolleen fal’aanaan yaate
Lama na hin suufani jette jaartiin qullubbii hattee
Leenci maal nyaata jennaan, liqeeffatte jedhe, maal kanfala jennaan, eenyu isa gaafata jedhe
Lilmoon qaawwaa ishee hin agartu, qaawwaa namaa duuchiti
Lukkuun(hindaaqqoon) haatee haateealbee ittiin qalan baafti
Maa hin nyaatiin jedha dhirsi hamaan
Maal haa baasuuf dhama raasu
Mammaaksi tokko tokko dubbii fida tokko tokko dubbii fida
Mana haadha koon dhaqa jettee goraa bira hin darbiin
Mana karaa irra kessumaatu itti baayyata
Manni Abbaan Gube Iyya Hin Qabu
Maraataa fi sareen mana ofii hin wallalani
Maraatuun jecha beektu, waan jettu garuu hin beektu
Marqaa afuufuun sossobanii liqimsuufi
Marqaan distii badaa miti, irri ni bukata, jalli ni gubata
Marxoon otoo fiiganii hidhatan otuma fiiganii nama irraa bu’a
Mataa hiyyaassaatti haaduu baru
Midhaan eeguun baalatti hafe
Mucaa keetiin qabii mucaa koo naa qabi jettehaati mucaa
Muka jabana qabu reejjiitti dhibaafatu
Morkii dhaaf haaduu liqimsu
Nama foon beeku sombaan hin sobani
Namni akka fardaa nyaatu, gaafa akka namaa nyaate rakkata
Namni beela’e waan quufu hin se’u
Namni dhadhaa afaan kaa’an, dhakaa afaan nama kaa’a
Namni gaafa irrechaa duude, sirba irreechaa sirbaa hafa
Namni guyyaa bofa arge halkan teepha dheessa
Namni hudduu kooban galannii isaa dhuufuu dha
Namni mana tokko ijaaru citaa wal hin saamu
Namni nama arabsu nama hin faarsu
Namni badaan bakka itti badutti mari’ata
Namni gabaabaan otoo kabaja hin argatiin du’a
Namni qotiyyoo hin qabne qacceen qalqala guutuu dha
Nama kokkolfaa nama miidhuu fi bokkaan aduu baasaa roobu tokko
Niitiin dhirsaaf kafana
Niitiin marii malee fuudhan marii malee baati
Niitiin afaan kaa’aami’eeffatte yoo kabaluuf jedhan afaan banti
Nitaati jennaan harree qalle, hin tatuu jennaan harree ganne, qoricha jennaan isuma iyyuu dhaqnee dhabne
Obboleessa laga gamaa mannaa gogaa dugduu(faaqqii) ollaa ofii wayya
Obsaan aannan goromsaa dhuga
Obsan malee hn warroomani
Ofii badanii namaa hin malani
Of jajjuun saree qarriffaan udaani

Ofi iyyuu ni duuti maaliif of huuti
Ofii jedhii na dhugi jedhe dhadhaan
Okolee diddu okkotee hin diddu
Ollaa araban jira akkamittin guddadha jette gurri
Ollaan akkam bultee beeka, akkatti bule abbaatu beeka
Ollaafi garaan nama hin diddiin
Ollaa fi kateen nama xiqqeessiti
Ol hin liqeessiin horii keetu badaa, gadi hin asaasiin hasa’aa keetu bushaa’a
Otoo beeknuu huuba wajjin jette sareen
Otoo garaan tarsa’e jiruu, darsa tarsa’eef boossi
Otoo farda hin bitiin dirree bite
Otoo fi eegeen gara boodaati
Otoo garaan dudda duuba jiraate, qiletti nama darbata
Otoo sireen nama hin dadhabiin tafkii fi tukaaniin nama dadhabdi
Qaalluun kan ishee hin beektu kan namaa xibaarti
Qaban qabaa hin guunnee gad-lakkisan bakkee guutti
Qabbanaa’u harkaan gubnaan fal’aanan
Qabanootuharkaa, hoo’itu fal’aanaan
Qabeenyi fixeensa ganamaati
Qalloo keessi sibiila
Qalladhu illee ani obboleessa eebooti jette lilmoon
qaaqeen yoo mataan ishee marge bade jetti
Qarri lama wal hin waraanu
Qeesiinwaaqayyoo itti dheekkam, daawwitii gurgurtee harree bitatte
Qoonqoon darbu, maqaa hin dabarre nama irra kaa’a
Qoonqoon bilchina eeggattee, qabbana dadhabde
Qorichaofii beekan namaa kudhaamu
Qotee bulaa doofaan, miila kee dhiqadhu jennaa, maalan dhiqadha borus nan qota jedhe
Qurcii dhaan aboottadhu jennaan, qophoofneerra jedhe
Raadni harree keessa ooltedhuufuu barattee galti
Sa’a bonni ajjeese ganni maqaa fuudhe
Saddetin heerume jarjarrsaa akka baranaa hin agarre jette jaartiin, salgaffaa irratti waraabessi bunnaan
Salphoo soqolatte soqolaa gargaaru
Saree soroobduun afaan isheef bukoo ykn. dudda isheef falaxaa hin dhabdu
Sabni namatti jiguu irra gaarri (tulluun) namatti jiguu wayya
Sareen duttu nama hin ciniintu
Sanyii ibiddaa daaraatu nama guba
Sareen warra nyaattuuf dutti
Seenaa bar dhibbaa baruuf bardhibba jiraachuun dirqama miti
Shanis elmamu kudhanis, kan koo qiraaciitti jette adurreen
Sirbituu aggaammii beeku
Sii uggum yaa gollobaa, anaafoo goommani ni dorroba inni gurr’uu soddomaa jette jaartiin horii ishee gollobaan fixnaan
Sodaa abjuu hriba malee hin bulani
Soogidda ofiif jettu mi’aayi kanaachi dhakaa taata
Sombaaf aalbee hin barbaadani
Suphee dhooftuun fayyaa gorgurtee, cabaatti nyaatti
Taa’anii fannisanii dhaabatanii fuudhuun nama dhiba
Takkaa dhuufuun namummaa dh, lammmeessuun harrummaadha
Tikseen dhiyootti dhiifte fagootti barbaacha deemti
Tiksee haaraan horii irraa silmii buqqisaa oolti
Tokko cabe jedhe maraataan dhakaa gabaatti darbatee
tokko kophee dhabeetu booha, tokko immoo miila dhabee booha
Tufani hin arraabani
Udaan lafatti jibban funyaan nama tuqa
Ulee bofa itti ajjeesan alumatti gatu
Ulee fi dubbiin gabaabduu wayya
Ulfinaa fi marcuma abbaatu of jala baata
Waa’een garbaa daakuu fi bishaani
Waan ergisaa galu fokkisa
Waan jiilaniin kakatu
Waan kocaan kaa’e allaattiin hin argu
Waan namaa kaballaa malee hin quufani
Waan samii bu’e dacheen baachuu hin dadhabu
Waan uffattu hin qabdu haguuggatee bobbaa teessi
Waan warri waarii hasa’aan, Ijoolen waaree odeesiti
Wadalli harree nitii isaa irraa waraabessa hin dhowwu
Wal-fakkaattiin wal barbaaddi
Wali galan, alaa galan
Wallaalaan waan beeku dubbata, beekaan waan dubbatu beeka
Waaqaaf safuu jette hindaaqqoon bishaan liqimsitee
Warra gowwaa sareen torba
Waraabessi bakka takkaa nyaatetti sagal deddeebi’a
Waraabessi biyya hin beekne dhaqee gogaa naa afaa jedhe
Waraabessi waan halkan hojjete beekee guyyaa dhokata
Yaa marqaa si afuufuun si liqimsuufi
Yoo ala dhiisan mana seenan, yoo mana dhiisan eessa seenan
Yoo boora’e malee hin taliilu
Yoo ejjennaa tolan darbatanii haleelu
Yoo iyyan malee hin dhalchanii jedhe korbeesi hoolaa kan re’eetiin
Yoo suuta ejjetan qoreen suuta nama waraanti
yoo dhaqna of jaalatan fuula dhiqatu
Yoo namaa oogan eelee jalatti namaa marqu
yoo ta’eef miinjee naa taata jette intalli

Mammaaksota Dubartootaa Oromoo

1.     Heeruma dharraanee(hawwinee) heerumnaan rarraane (rakkannee)

2.     Asuu oolle jette tan heerumaaf muddamte”

3.     Takkattii qayyannee taduraa hanqannee  ykn takkaa qayyannee lukaa gubanne

4.     Bakka dhiiganii hin fiigan.

5.     Kana muranii kamiin fincaayan jette haati manaa inni ofirraa mura jennaan.

6.     Kaanittuu abbaa argadhu jette haati intalaan.

7.     Intalti ariifattuun haadha ciniinsuubarsiifti

8.     Akka beekutti dhalaa(dahaa) nadhiisaa jette intalti harka namaa diddu

9.     Sirbaaf bayanii morma hin dhofatan jettee intalti waa hin saalfannee.

10.  Akka ebaluutti sirbaan morma nama jallifti jette intalti qalbii qabdu.

11.  Mucaa deenna malee mucaa hin geennu jette intalti of tuffatte.

12.  Wol  akkeessee ollaan marqa balleesse jette intalti ofiin bultun .

13.  Akka aadaa teennaa gaara gubbaa baanee teenna jedhe harmi dubartootaa.

14.  Ati baldi ta dhiirsa ka’imaa jette intalti abbaan manaa isii jaarsaa.
(Baldu : ashuu,qoosuu,taphachuu, busheesuu)

15.  Har’allee moo jette haati ijoolleen beelofne (shoomofne) jennaan isiin bakka cidhaatii quuftee waan galteef

16.  Ani ufiif hin jennee, mucaan keessan ka hangafaa sun fuudha hin geennee? jette intalti mucaa kajeelte.

17.  Soddaa fi dayma hin duudhatan.

18.  Osoo dhukubsataan jiru, fayyaalessi du’a.

19.  Ana bakki na dhukubu asii mitii maraafuu bakkuma gooftaan kiyya jedhe san kooba jette bookeen.

20.  Makkitu malee makkaa hin hajjan

(Makkitu : naamaaf mijooftu/mijaa’u)

21.  Akka dida’aa fi akka didanaatti na galchi

22.  Daalun xaraan kaanu tara.

Qopheessan : Abdii Boriiti

Source: http://opride.com/hamba/?p=231


Hiibboo Afaan Oromoo

Oromo music legend Hayluu Disaasaa (Haylu Disasa) died age 61. May his soul rest in peace January 18, 2017

Posted by OromianEconomist in Haylu Disasa, Hayluu Disaasaa, Oromo Art, Oromo Music.
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Odaa OromooOromianEconomistoromo-music-legend-hayluu-disaasaa

Wallisaan Oromoo hangafaa fi beekamoon dhalatee waggaa 61tti adunyaa kana irraa boqochuun ibsame. Hayluun kan dhalate Lixa Oromiyaa,  Wallaggaa,  Qellem, Qaaqetti.  Manni jirrenya isaa Finfinnee, Birbirsa Goorooti. Hayluun abbaa ilma tokkichaa, Sanyi Hayluu Disaasaati.

Hayluun hamma adunyaa kana irraa boqotutti aadaa fi aartii Oromoo calaqqisiisuu fi dagaagsuu irratti shoora  guddaa taphachaa ture. Sirboota Afaan Oromoo barreesuu fi  sagalee isaa kiloleen surbuudhan, diraamaa, fiilmii fi tiyaatira Afaan  Oromoo adda addaa hojjechuun jiruu seenaa qabeessa saba isaaf dalagaa ture. Hayluun kana hundaa kana rawwachaa kan ture dhibbaa Oromummaa isaatiif isa irra gahaa turan hundaa danda’ee irra aanuu dhaani. Jirreenyi isaa hamma boqotutti inni keesa turesi kanuma mul’isa.

Sirboota Hayluu Disaasaa ittiin beekamu keessa muraasni: Geerarsa, yaa warra baddaa, yaa finna koo, naggaaden haa dabartuu, yaa damma koo, amma yaa marii, shaggee tiyyaa fa’i.

Biyyoon isatti haasalphatu.



Bilisee boqochuu artist Hayiluu disaasaa dhaggeesse jirta??
Dhaamsa mucaa isaa sanyii Hayiluu
Ergaa karaa keessaa dhuftee,
mee oromoota nannoo finfinnee jiraniitti naaf dhaamigiiftiiko. kaleessa boqochuu Weeellisaa angafaa kana dhagahee awwaalchi isaas kaleessuma se’en gara finfinnee naanno birbirsa pihassaa jarri jedhan bakka itti galaa ture iyyaafadhee dhaqe. Garuu anoo ofittan qaana’e waanan argeen eenyummakoo jibben sitti hima mana osoo hin taanee qooxii handaqqoorra gargar hin jiru. gootichi aartii Oromoo kun achuma keessa taa’eet waggaa 42 baandii hagar fiqir keessatti masaanuuwwan afaanifii aadaa oromoon mormaa aartii oromoof gumaachaa ture. garuu harkasaa hin arganne uummata kanarraa.silaa goonni mana hin qabu jedhu mana gaarii teesso bareeda jiruu dhuufaa mijataa dhabuunsaa omaamiti. baga dhes seenaan isaa siidaa ta’et yaadma. innoo uummataaf jiraataa turee. kan na ajaa’ibsiise garuu osoo mana hinqabaatii waltajjiirratti yoo bahu fuulsarra kolfafi qoosaa wallee malee miirri dhabaa fi kadhaa hin mul’atu.goodo inni itti galu keessa wanti tokko hin jiru.garuu inni dhukkubsachuus erga eegalee irra bubbule jedhan takkaa mootummaanis ta’e namoota dhuunfaan nagargaaraa yoo jedhu hin dhageenye hin jennes. Garuu baandii sana keessatti yeroo heddu hacuucamaa gidirfamaa hidhamaa tuffatamaa akka jiru carra argatetti fayyadamee himatee ture roorroo sabaaf naa birmadhaa jedhaa ture.keessattu sirba yaa warra badda jedhurratt fi yeroo waltajjirratti sirbitu jechota qineen nuarrabsita jedhamee hidhamas hojirra hari’ames ture. Wellisa Hayiluu Disaasaa tokkicha qixxee kumaa bara 1963 waltajjiirratti bahee afaan oromoo afaan aartii afaan midiyaaf tolu kanittin sirbanii bashannan ta’u agarsiise. wagga 40 oromoo bakka bu’e tiyaatiran welluun diraamaan baandii agar fiqir keessa tajaajile xuratas bahe ture. yaa dhaloota qubee goota kanatu du’ee awwaalcha dhabe nurraa. uuuuuu….https://www.facebook.com/bilise.gadisa.7/posts/1852571331693986?pnref=story.unseen-section


አንጋፋው የኦሮሚኛ ሙዚቃ አቀንቃኝ ኃይሉ ዲሳሳ አረፈ

(ዘ-ሐበሻ) ከአንጋፋ የኦሮሚኛ ሙዚቃ አርቲስቶች መካከል አንዱ የሆነው አርቲስት ኃይሉ ዲሳሳ ትናንት ምሽት ጃንዋሪ 18, 2017 ማረፉ ተሰማ::

ድምጻዊ ሃይሉ ዲሳሳ በተለይ በሀገር ፍቅር ትያተር በኦሮሚኛ ዘፈኖች ዝነኛ ድምፃዊ ነበረ:: ኃይሉ በ61 አመቱ ህይወቱ ሲያልፍ የ1 ልጅ አባት እንደነበር የሕይወት ታሪኩ ያስረዳል::

ነብስ ይማር!!

Oromo music legend artist Hayluu Disaasaa died  18 January 2017, age 61. He is survived by his only son.

The following are some of Hayluu Disaasaa’s popular  music works:- Yaa damma koo,  geerarsa, na fuute, shaggee tiyya, amma yaa marii.



Oromia: Lense Lammeessaa Boruu: Ni Falmannaa (New Resistance Music) #OromoProtests #OromoRevolution December 20, 2016

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Odaa OromooOromianEconomist






Oromia: Darajjee Shumii: Noonnoo Noonnoo Gale Bishaan Noonnoo Dhowwadhu Dhowwadhu Roorroo. #OromoProtests Music August 13, 2016

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Odaa OromooOromianEconomist



Oromo Horse men, display of bravery and patriotismOromiyaa



Oromia: OBS: Harka Fuune: Interview with Abraaham Raayyaa July 23, 2016

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Odaa OromooAbraahaam RaayyaaRaayyaa Studio



Shukrii Jamaal: ‘Ammayyaa Bulloo Boshee’: New Oromo Music Premier July 19, 2016

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Odaa Oromoo

Ammayyaa Bulloo Boshee

Kuulanii koo,

Bareedduu xiqqoo rosee.

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p2Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p9Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p8Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p10

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p3Nice Oromo pictures from Shukri Jamal's music in 2016, Bullo Boshee. p11


Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p1



Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p4

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p6

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p5Nice Oromo pictures from Shukri Jamal's music in 2016, Bullo Boshee. p12

Nice Oromo pictures from Shukri Jamal's music, Bullo Boshee. p7


Manaa hin baatu jedhanii

Gabaa hin baatuu jedhanii

Koo yaa hintaloo,

Kan si eegu gutuntumaa

Namaa hin naatu jedhanii

Maal wayyaa koo

Kan odeessan  dhuguma moo

Sifan kophaa gunguma anoo.

Arjoo fi Begii Naqamtee,

Shaambuu fi Horroon imaltee,

Waan ofii koo  maaloo,

Lafa qeerroon dhaadatuu,

Waan barbadde si bitaa,

Wanta feete si bitaa,

Ati tiiyya taanaan isa yaanni jaallatuu.

Ichilbee daarii Gobbuu,

Maroolee koo maaloo,

Ya sinnaara sararaa,

Sitti obsee kee na godhuu,

Waan ofii koo maaloo,

Waltaana baranaa.

Jaarsi sawwan yaafatee,

Maroolee koo,

Dirreetti ooffatee dheechisaa,

Wayi nama wal jaallatee,

Waan ofii koo maaloo,

Ija irratti beeksisaa.

Ammayyaa Bulloo Boshee

Kuulanii koo,

Bareedduu xiqqoo rosee.

Maal wayya magaaltittii,

Najjoo irraa moo Ginbitti si eegaa,

Eessatti naaf dhuftaa,

Barrisii na koottuu,

Yoo tiyya taatee,

Maaliif na dhibsitaa………..




Si malee eenyu na aanaa: New Oromo music Masho Abduraman & Temam Tekalinyi 2016 June 7, 2016

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Odaa OromooMasho Abduraman, famous Oromo artist singer


Nuti Oromooni: New Oromo Music By Guddinaa Mulunaa, Yai Gulalle Film May 2, 2016

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Odaa Oromoo

Oromo Films: Amensisa Ifa wins ‘Best Director’ at the first Tom Film Awards March 7, 2016

Posted by OromianEconomist in African Beat, African Music, Oromo Art, Oromo Artists, Oromo film andDrama, Oromo films.
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Odaa Oromoo
Amensisa Ifa wins ‘Best Director’ at the first Tom Film Awards
Gibe.Tube, 6 March 2016

Amensisa Ifa producer of “Maalan Jiraa?” and many other movies & TV Series, wins Best Director at the first Tom Film Awards! Amensisa Ifa have been working with TVO & ETV(EBC) as an Editor. Currently He is working with BBC Media Action and editing a TV series drama  DHEEBUU, which is about of 80 episodes, broadcast on TVO.

Amensisa Ifa wins ‘Best Director’ at the first Tom Film Awards


I’m excited to win Best Director at the first Tom Film Awards! Thank you everyone for your continued support!  Amensisa Ifa


Anaaf Amansiisaan Qeerransa!

Aadaafi Aartiin Oromoo yeroo ammaa maalirra jira, garamittis arreedaa jira? Guddina amma irra ga’eef artistoota keenya gameeyyii kan akka Alii Birraafi Admaasuu (Abbaa Lataa) fa’aa yoo kaasne, dhaloota keenya har’ammoo eenyuunfaa haa jennu?. Isinumti ofiif itti guuttadhaa…! Guddina Aartii keenyaa dudduubas daarekteerotaafi gulaaltota(editors) fiilmii immoo milkaa’ina aartii keenya kanaaf gumaacha olaanaa taasisaa jiranis qabna.

Keessumaa yeroo guddinni aartii Oromoo boqonnaa harawaa eegale kanatti dargaggoota Oromoo dhaloota qubee ogummaa ykn kennaa adda addaa qabanitti cichanii qeerransa ta’an hedduu Waaqni nuuf kenneera.
Kennaafi ogummaa Waaqni kenneefitti cichee aartii sabasaa guddisuuf onnatee, homaa utuu hin ko’oommatiin bu’aa ba’ii ba’ee, sirba Haacaaluu “Maalan jiraan” tokko jedhe.

Sirbi kun ga’umsa ogummaasaan ummanni Oromoo baddaa hanga gammoojjiitti beekamtii itti kenneef isa duraa haa ta’u malee, fiilmiiwwan dokumenterii hedduufi diraamawwan TV kannen akka DHEEBUU editarummaan ykn gulaaluudhaan hirmaachaa jira. Ogummaan daarekterummaa (qajeelchuu) yaaddawwan barreessitonniifi weellistootni qopheessanii lubbuu itti godhanitti foon horuun/ijaaruun argaa dhageettii daawwattootaa qalbii fuudhudha. Ogummaan kun artistoota Oromoo hedduu qabnu keessatti baay’inaan kan hin mul’anneedha. Gama kanaan Amansiisaa Ifaa dargaggoo onnataa jabana kanaa Waaqni Oromoof kaase.
Dhabbanni leenjii Vidiyoogiraafiifi Footoogiraafii Toomii sanbata darbe badhasa ‘Tom Film Awards’ jedhamu yeroo jalqabatiif sadarkaa biyyaatti qopheessee ture. Sirna kanarratti fiilmiwwaan 12 ol ta’an akka biyyaatti filatamanii gosoota dorgommii 7 morkatameera.Badhaasa kanas bu’aa dhaloota qubee kan ta’e dargaggeessi qaroo Oromoo Amansiisaa Ifaa mo’achuu danda’eera. Dorgommii kanarratti Amansiisaan Daayirekteera Cimaa bara 2015 ta’uudhaan filatameera. Kana keessaa eegaa daayirekteera cimaa bara 2015 jedhuun ilmi Oromiyaan miixuu cimaan deesse, gadadoo fi rakkina cimaan dadhabdee asiin geesifatte Amansiisaan 1ffaa ta’uudhaan badhaasa qophaa’eef olaantummaan fudhachuu kan danda’e.

Filmiin Amansiisaan garee isaa waliin fudhatee dorgommiif dhiyaate waa’ee faalama qillensaa irratti kan xiyyeefate yoo ta’u, turtii daqiiqaa 5 fi sekoondii 45 qaba ture. Akkuma beekamu hojiin filmii gareedhaan kan hojjetamu yoo ta’ullee, daayrekteerummaan ija fiilmii tokkootti murteen isaa fiilmii sana bareechuus balleessuus danda’a. Amansiisaan immoo dhimma akkanaa irratti iji isaa qarameera. Kanarra ka’uudhanis badhasaaf ga’e.

Sirni badhaasaa kun Bitootessa 5, 2016 magaalaa Finfinnee galma tiyaatira Biyyoolessaatti kan raawwatame yoo ta’u, keessummoonni ogummaa filmii adda addaa qaban biyyitti keessaa jiran filmiwwan dhiyaatan irratti guyyoota dheeraaf gamaagama erga geggeesanii boodee guyyaa dhumaas ammoo vidiyoo gabaabaa filmiwwanii erga dawwatanii kana irrattis yaadni kennamee booda ture Amansiisaan ummata sana hundumaa amansiisee mo’achuu kan danda’ee uummata Oromoof ammoo ilma ittin boonan ta’e.
Amansiisaan mallattoo qulqullina aartii Oromooti, sababiinsaa hojiiwwan hanga ammaatti hojjetee ummataan ga’e keessatti xiyyeeffannoo guddaa kennudhaan qulqulliinaa fi injifannoodhaan xumureera. Amansiisaan sirba Hacaaluu “Maalan Jiraa?” jedhu irratti yaadaa fi qalbiii uummataa Oromoo seenee; itti aansuun sirba weellisaa angafaa fi beekamaa Zarihun Wadaajoo “Hin Oolu” jedhu irratti ammoo dhama aartii isaa lammaffaa nu dhandhamachiise. Itti aansuudhaan hojii weellisaa Kamaal Ibraahim fi Shukurii Jamaal “Dubbii Lafaa…” jedhuun ammoo ogummaa isaa deebisee mirkaneesse.

Kana malees dookumantarii gababaa waa’ee Irreechaa irratti xiyyeefate ‘Irreechaa: Color & Treasure of Oromo’ jedhuun tokkummaa uummata Oromoo fi miidhagina Oromoo agarsiisuu danda’eera. Amansiisaan hojiiwwan isaa kanneen fakkeenyummaa guddaafi artiistoota, daayirekteeroota fi weellistoota birootiif barnoota kan kennedha.

Katabbii koo kanaan hojiiwwan Amansiisaan aartii Oromoo keessatti gumacheefi gumaachaa jiru isiniif himuuf utuu hin taane, injifannoon kun kan uummata Oromoo ta’uusaa isin hubachiisuufi. Oromoo marti dargaggoo kanaan boonuu qaba. Dargaggoonni dhaloonni qubee ammoo qeerransa keenya kanaa faana dha’uun kallattii irratti bobba’ee hojjechaa jirurratti cichee qeerransa ta’uu qaba.

Hojiiwwan isaa armaan gadii Youtube Chanaalii isaa irraa dawwadhaa dawwadhaa!
Linkiin Kunooti
Malaan Jiraa
Hin Oolu

Dubbii Lafaa
Irreecha: Color & Treasure of Oromo

Anaaf Amansiisaan Qeerransa!
Horaa Bulaa Deebanaa
Gadaan Gadaa Bilisummaatti
Gammadaa Olaanaa




Oromo: Wallee Tokkummaa Guyyaa WBO February 14, 2016

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Odaa OromooSolidarity message to Oromo People and #OromoProtests

Wallee Tokkummaa Guyyaa WBO Nairobi 2016

Lammii too Oromoo sin abdadhee boonaa! Motuma Mahdi Sheekaa New Oromo Music February 2, 2016

Posted by OromianEconomist in Africa, Oromo Artists, Oromo Culture, Oromo Music.
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Odaa Oromoo

Dirree armaa gadii tuqaatii wallistuu Motuma Mahdi Mohamediif   ‘VOTE’ godhaaf. Oromummaan haa calaqqisu adunyaa irratti.

Oromia: Seenaa Solomoon: “Akkamiin Diina Gombisu?” New #OromoProtests Music January 23, 2016

Posted by OromianEconomist in African Beat, African Music, Oromo Music, Seena Solomon, Uncategorized.
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Odaa OromooSeena Solomon, famous Oromo music artist

Egaa sichi nyaannaa yoom nyaanne foon maddii

Galma ga’uf jiraa kan yaanne iddoo qabdii




Oromia: Sartuu Usmayyoo Muussaa – Abbaa Koo **NEW** 2015 (Oromo Music) by NUUN Studio November 28, 2015

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Saartuu, the daughter of the late Oromo artist Usmayyoo Muussaa in her debut music song ‘Abbaa koo’.


Saartuu, the daughter of  the late Oromo artist  Usmayyoo Musaa in her debut music song Abbaa kooSaartuu, the daughter of  the late Oromo artist  Usmayyoo Musaa in her debut music song Abbaa khoo


Selfless Oromo Artist Usmayyoo Muussaa was in jail for 8 years in a harsh Woyyaane prison. He sustained severe torture and contracted all deadly diseases in jail. He was released from prison only when the regime was sure that he won’t survive. Usmayyoo died on November 18, 2006 in Ciro town and his funeral took place on November 19, 2006 in Ciro with a large crowd with Oromo tradition.

Though an Oromo nationalist and artist Usmaayyoo Muusaa is rest in peace, his legacy is beyond his grave and he passed on the torch of freedom to be pursued by millions of Oromo, including his children.

Like Usmayo Oromo citizens have fallen as the result of victim of torture of TPLF; many are fallen silent in the hands of this murderer’s government agents.

Usmayo’s daughter, Artist Saartuu Usmayoo, has release the first song dedicated to her father, “Abaa Koo”.


Usmayyoo Muussaa: Dukkana bara dheeraa:-

Oromia: Gaaffii fi Deebii Wallistuu Oromoo Muluu Baqqalaa Walin. Interview with Artist Muluu Baqqalaa November 23, 2015

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Oromo artist muluu Baqqalaa




Oromia: OBS: Harka Fuune, Wallistuu Oromoo Bishiriyaa Boorishaa November 15, 2015

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Oromia: Artist Saliha Sami Releases Raya Music “Sanggawwee Raayyaa/Gumaayyee” in Afan Oromo [the National Language of Raya & Azebo]; Short documentary on Oromoo Raayyaa. November 7, 2015

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???????????Oromo artist saliha samiGirl from the Raya Wollo tribe at Hayk market. Ethiopia. johangerrits

Raayyaan Raayyuuma, OromooOromo RaayyaaOromo from Raayya at Irreecha Malakaa 2015, Hora Harsadi, Bishoftu October 4, 2015








OBS TV: Qophii HarKa Fuune Wellistu Saalihaa Saamii


Artist Saaliyaa Saamii Oromoo Raayaa Keessatti Waan Ajaa’ibaa Arge, Jeetti


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???????????Oromo artsist Asaantii Hajii Tufaa

Oromia: OBS: Qophii Harka fuunee: Gaafiif Deebii Wallisaa Habtaamuu Gazzahany (PhD) October 17, 2015

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Iyyaasee: Firaol Debere, ‘Iyyaasee’ New Oromo/ Oromia Music October 16, 2015

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